At Gentag, we celebrate the power of repetition—not just in fashion but in artistic practice. This month, we are proud to showcase ceramicist Clara, whose intuitive approach to clay embodies the essence of repetition, presence, and tactility.
1: How would you describe your approach to ceramics?
When I work with ceramics, my approach is not about sketching or planning but about being present in the moment and letting the form emerge naturally. The world around me fades away, and the physical connection between my hands and the material has a calming, meditative effect, allowing me to fully immerse myself in the process. I work intuitively, drawing inspiration from nature, tactility, rituals, and the body.
2: What rituals do you have in your daily life/work approach?
Growing up in a spiritual household, rituals were always a part of my daily life. I was taught to be fully present in everything I do, turning even the smallest tasks—like brushing my teeth—into meaningful daily rituals. As a ceramicist, it has been incredible to carry this mindset into my work, as ceramics itself is a ritualistic process, from creation and drying to firing, glazing, and beyond.
3: How do you work with sustainability?
Sustainability in ceramics is challenging due to the energy-intensive firing process and the use of environmentally harmful glazing materials. Throughout my years as a student, I have become increasingly mindful of both my production methods and the pieces I choose to create. I am highly selective about what I fire—and sometimes whether I fire a piece at all. Unfired clay can be endlessly reused, offering infinite possibilities for re-creation, which is an amazing opportunity I like to use as a ceramicist.
Additionally, I avoid using raw materials for glazing that are harmful to the environment. Instead, I prioritize materials that are more accessible and ethically sourced, even if it means having fewer options for colorants. For me, the emphasis is on form and texture rather than an extensive color palette.
4: What is the story behind your works?
The history behind my work traces back to some of my earliest meaningful experiences with creativity. Struggling to express myself freely, I found that clay helped me transcend the limitations of my mind. It drew me into my body, allowing me to forget about rules and outcomes, and instead, create with freedom. These four sculptures hold great significance for me, as they represent a turning point in my approach to working with clay and ceramics.
